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The Golden Line: A Magazine on English Literature

Print ISSN 2395-1583 | E-ISSN 2395-1591

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Previous Issue

  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

The Theatrical Use of Masks: A Comparative Study of Greek Theatre and Chhau Dance of Bengal

4 years ago4 years ago
  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

Mask and the Transformation of Identity in Selected Folk Dances of West Bengal

4 years ago4 years ago
  • Volume 4, Number 1, 2021
  • Volume 4, Number 1, 2021

Unmasking the Divine: Interpreting the Visual Representation of specific Hindu Deities

4 years ago4 years ago
  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

Masked Identity: Social Media, Politics, Propaganda; an Indian Scenario

4 years ago4 years ago
  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

Masking for Dionysus

4 years ago4 years ago
  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

An Interview with Dharmendra Sutradhar (Chhau Mask artist) on the making of Chhau Mask

4 years ago4 years ago
  • Performativity of Mask
  • Volume 4, Number 1, 2021
  • Performativity of Mask
  • Volume 4, Number 1, 2021

Editorial

4 years ago4 years ago

Contact

  • Mir Ahammad Ali

Editor in Chief, The Golden Line Magazine

Email: mir.goldenline@gmail.com

WhatsApp: 9046425106

 

  • Kaberi Das Mahapatra

In-charge of Academic Relations and Communication, The Golden Line Magazine

Email: kaberidasmahapatra.goldenline@gmail.com

Volume 3, Number 1, 2020: Diseases, Death and Disorder in Arts, Literature and Culture

Volume 4, Number 1, 2021: The Performativity of Mask in Theatre and Culture

Recent Contents

  • CFP: NEP 2020: New Pedagogies for Teaching Language and Literature in the 21st Century
  • Volume 5, Number 1, 2023
  • Shoes Flying In The Wind
  • Influence
  • Science Fiction beyond Modern Periphery: A Postmodern Reading of The Hungry Septopus
  • Representation of Biopolitics and Climate Change Crises in Prayaag Akbar’s Leila
  • Breaking Boundaries of Genre: Reading Prayaag Akbar’s Leila
  • The Scientification of Science Fiction: A Study of the Truth of Posthuman Ontology in Fictionalized Science with Scientific Epistemology
  • Manipulating Memory in Science Fictional Imaginary: Reading Michel Gondry’s Eternal Sunshine of the Spotless Mind
  • Science Fiction and Its Presentation in Dystopia: An Analytical Study of Few Science Fictional Dystopian Texts
  • Can the Horror of Technological Singularity be the Critique of Enlightenment? Detangling the Different Forms of Horror and Hyperrealism of the Uncanny Valley in I Have No Mouth, and I Must Scream by Harlan Ellison
  • The Time Travelling Custodian: Exploring Possibilities of Time Travel in Tulku Lineage of Buddhism
  • Beyond the Certainty of the Dinner Party: Epistemological Horizons in H.G. Wells and Octavia Butler’s “Amnesty”
  • Fighting the Freaks: Secular Individualism Vs Religion in Neal Stephenson’s Snow Crash
  • ‘The Dystopian Turn’: Re-envisioning the Future through Speculative Fiction
  • The importance and need of magazines in nurturing and evolving a genre: A case study of Kalpabiswa
  • Imagining Plant Percipience: Botanical Futures in the Speculative Fiction of Brian Aldiss and Ursula Le Guin
  • Exploring the Implications of Parallel Universe, Multiverse, and Time Travel in Science Fiction
  • Countering Dystopia with Spirituality: Re-reading Lessing’s The Memoirs of a Survivor as a Visionary Fiction
  • Looking Backward at and Forward from the Novum: Friendly or Inimical to Life
  • “Science Fiction, Posthumanism and Nonhuman Animals”: An Interface with Dr. Subhadeep Paul
  • Editorial: Themed Issue on Futuristic Epistemology and Scientific Dimensions: Neo-perspectives in Science Fiction
  • The Theatrical Use of Masks: A Comparative Study of Greek Theatre and Chhau Dance of Bengal
  • Mask and the Transformation of Identity in Selected Folk Dances of West Bengal
  • Unmasking the Divine: Interpreting the Visual Representation of specific Hindu Deities
Department of English, Bhatter College, Dantan Powered By BlazeThemes.
  • Home
  • About
  • Editorial Board
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  • Archive
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