Editor

Editorial: Themed Issue on Futuristic Epistemology and Scientific Dimensions: Neo-perspectives in Science Fiction

Niladri Mahapatra & Akasdip Dey State Aided College Teachers, Dept. of English, Bhatter College Dantan Science fiction, known as a popular genre by the consensus of many opinions, is originally a touchstone that represents a cognitive dissonance by throwing all the readers in conundrum which creates a clash between fiction and truth. So, science fiction…

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The Theatrical Use of Masks: A Comparative Study of Greek Theatre and Chhau Dance of Bengal

Sudhashree Acharya PG Student, Department of English, Bhatter College, Dantan, West Bengal Email: sudhashreeacharya39912@gmail.com   Abstract Although the use of medical masks has gained its zenith during the Corona infected pandemic phase, the theatrical use of masks existed long before that across various performative cultures and theatrical practices around the globe. Looking at the Western…

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Mask and the Transformation of Identity in Selected Folk Dances of West Bengal

Moumita Santra Former PG Student, Department of English, Bhatter College, Dantan, West Bengal Abstract As a traditional folk art form, folk dances of West Bengal hold a remarkable position in the lives of the rural people. There are certain masked folk dances in West Bengal that are primarily performed by the local people during certain…

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Unmasking the Divine: Interpreting the Visual Representation of specific Hindu Deities

Dibyendu Bhattacharyay State Aided College Teacher (Category – I), Department of English, Balagarh Bijoy Krishna Mahavidyalaya Abstract The Corona pandemic has taught us the necessity of three things – primarily the use of masks and maintaining hygiene and social distancing. Besides its importance in the space of performance, Masks have been ever important in the…

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Masked Identity: Social Media, Politics, Propaganda; an Indian Scenario

Nishanta Ghatak M. Phil Research Scholar in Gender Studies, Vidyasagar University Abstract Mask has always been a perennial motif, since, going by the historic-socio-politico-mythological tradition, it is subtly but intricately embedded in any country’s culture, daily life, multifarious literary repertoires; providing a gullible innocence before the hypocritical guises and camouflaged farces, in a sublime, aesthetic…

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Religious Migration of Ritualistic Mask Dances of North East

Ayantika Chakraborty Research Scholar, Department of Folklore Research, Gauhati University E-mail:ayantika.rhea@gmail.com   Abstract North East India is an entrepot of mask dances. The region has an immigrant population from Tibet, Myanmar, Nepal, and ‘mainland India’. Consequently, the population practices Buddhism of both Theravada and Mahayana schools along with influences of magico- animism and Bonism as…

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An Interview with Dharmendra Sutradhar (Chhau Mask artist) on the making of Chhau Mask

Kaberi Das Mahapatra State Aided College Teacher at P.G Department of English, Bhatter College, Dantan, West Bengal, India and Academic Relations and Research at The Golden Line. E-mail: kdm92bcd@gmail.com Dharmendra Sutradhar is an internationally acclaimed Chhau Mask maker from Charida Village, Baghmundi, Jhalda Subdivision of Purulia District, in the State of West Bengal, India. He…

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Announcement of Deadline Extension of CFP: Themed Issue on The Performativity of Masks in Theatre and Culture

The deadline of the Call for Papers: Themed Issue on The Performativity of Masks in Theatre and Culture for the Volume 4, Number 1, 2021 of The Golden Line is extended. Important Dates to be Noted: Submission of abstract:                       February 20, 2021 Notification of acceptance:                 February 25, 2021 Submission of full paper:                    March 25, 2021     

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